Widow Clicquot is a 2023 internationally co-produced historical drama film, directed by Thomas Napper, from a screenplay by Erin Dignam and Christopher Monger based on the 2008 book The Widow Clicquot by Tilar J. Mazzeo. It stars Haley Bennett, Tom Sturridge, Sam Riley, Anson Boon, Leo Suter, Ben Miles, and Natasha O'Keeffe.
The film had its world premiere at the Toronto International Film Festival on September 11, 2023.
The shipment to Amsterdam is lost, devastating Barbe-Nicole. She begins selling off her material possessions in order to keep the winery afloat. However, Louis manages to get a few bottles to Russia, where the sweet wine proves popular Comet vintage the Great Comet of 1811. After Napoleon's exile, Barbe-Nicole and Louis take advantage of the chaos and begin selling in Russia in earnest.
Barbe-Nicole's success unsettles her male peers, and she is brought to trial for violating a law preventing women from owning business. Her accusers claim that she refuses to marry Louis as remaining a widow would allow her continued ownership of the winery. Barbe-Nicole lambasts her accusers. Louis publicly proposes to her, and she rejects him.
Epilogue cards reveal that Barbe-Nicole never remarried and the business would eventually become the Veuve Clicquot champagne dynasty.
Principal photography took place in Chablis and Reims, France, in October 2022.
Christian Zilko of IndieWire rated the film a grade B, commenting that "by swapping Bluetooth headsets for bodices, Napper and screenwriters Erin Dignam and Christopher Monger were able to drape their movie in a period aesthetic that should appeal to the arthouse crowd. But from its eureka moment when Barbe-Nicole develops her iconic rose champagne to its final title cards about the company's ongoing success, "Widow Clicquot" has all the same beats as the walk-and-talk business movie that you watched on your last flight." Zilko highlighted the film's mixture of "non-linear narrative structure" and "three-cheers-for-capitalism narrative" along with the "draconian laws" around women in business. He viewed the film as mostly "interested in celebrating the booze industry and the people who overcome needless restrictions to innovate in it."
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